Elektra EUK 251/2 (Mono)
Released: 1966
Production: Jac Holzman
Engineering: Mark Abramson
Side 1 - Songs of the Old World and Migration to the New
Side 2 - Settling, Exploring and Growing in the New World
Side 3 - Work Song
Side 4 - Many Worshippers, One God
Side 5 - Country Music - From Ballads to Bluegrass
Side 6 - Nothing but the Blues
Side 7 - Of War, Love and Hope
Side 8 - Broadsides, Topical Songs, Protest Songs
Compiled and annotated by Robert Sheldon.
A boxed set of 4 discs with a 48 page booklet with the assistance of Folkways Records. For the UK market the discs were pressed locally but the booklet and box were imported and stickered.
UK issue of EKL 9001.
Whereas the American version had custom labels, persumably reflecting the joint venture with Folkways, the UK release had Elektra labels.
Elektra first issued LPs in the UK through Audio Fidelity, starting in 1960, both local pressings and distribution of American product. Discs were also licensed through (and on) Pye's Golden Guinea label and, in the case of the Beefeaters single,through Pye International. Four singles, including two by Love, were licensed to London American for UK distribution around 1966. Joe Boyd arrived in London (according to Billboard ... but surely Joe was already here) to work as Elektra's UK-based production supervisor late in 1965. He was setting up a pressing and distribution deal with Decca which probably explains the London singles. Elektra finally closed its London office in 1994.
Elektra EUK 253 (Mono)
Released: 1966
Production: Joe Boyd
Recorded: Edinburgh, Newcastle and London
Side 1
Side 2
'Songs in traditional styles' it says on the cover. Some good 'classic' folk here, but I'll make a special mention of Cyril Tawney since this is the place to find two of his most iconic and whistful songs, 'Sammys Bar' and 'The Oggie Man'.
Elektra EUK 254 (Mono) EKS 254 (Stereo)
Released: 1966
Production: Joe Boyd
Engineering: John Wood
Recorded: Sound Techniques Studio, London
Side 1
Side 2
Original UK release. Stereo copies exist numbered EKS 7254. For some reason the US version had a different cover photo. Earlier copies of this had a white label with green lettering whereas later ones reverted to a more usual orange/red label with black lettering.
Elektra EUK 255 (Mono)
Released: 1967
Production: Joe Boyd and Alasdair Clayre
Engineering: John Wood
Recorded: Sound Techniques
Side 1
Side 2
Some copies include a printed insert.
Elektra EUK 256 (Mono) EUKS 7256 (Stereo)
Released: 1967
Production: Harry Davis and Jac Holzman
Side 1
Side 2
Improvised 'electronic' music using both conventional instruments and 'found' sounds. It was, and presumably still is, unusual to carry out live performances of electronic musical forms and in the pre-sampler days such music was painstakingly assembled using cut-and-paste tape techniques. The group included Cornelius Cardew and there is a photo of Jac on the sleeve (looking rather bemused by the whole affair). This is a rare Holzman cameo appearance on an Elektra sleeve ... apart from one of the early 70s liners ... the others (AFAIK) are on the first Dalliance Cover and Theo Bikel's 'Songs of a Russian Gypsy'.. There were other pieces recorded at the same performance: Ailantus Glandulosa; In the Realm of Nothing Whatever; What Is There in Uselessness to Cause You Distress?; Silence ... these and the tracks on this album were all brought together on a CD reissue.
It is possible that all copies were stereo with mono matrix numbers but this is unconfirmed.
Elektra EUK 257 (Mono) EUKS 257 (Stereo)
Released: 1967
Production: Joe Boyd
Side 1
Side 2
Later UK copies have catalogue number EKS 7257 although the matrix (at least on the copy seen) has the EUKS prefix. US release on EKS 74010.
Elektra EUK 258 (Mono) EUKS 258 (Stereo)
Released: 1968
Production: Joe Boyd
Later UK copies have the catalogue number EKS 7258. US release on EKS 74021.
Elektra EUK 259 (Mono)
Released: 1968
Side 1
Side 2
Elektra EUK 260 (Mono) EUKS 260 (Stereo)
Released: 1967
This is an early UK release of 'What's Shakin'' - EKS 74002 - presumably issued to match the psychedelic house style of the other EUK compilations. The disc was soon superceded by local copies of EKL 4002/EKS 74002.
Elektra EUK 261 (Mono) EUKS 261 (Stereo)
Released: 1968
This disc features an amazingly psychedelic sleeve design and liner notes by top UK DJ John Peel, whose manager coincidentally was head of Elektra in the UK at the time. It seems that Jac Holzman was not over enthusiastic about Elektra UK's release of compilations with 'colourful' sleeves but the tactic was chosen to try to give Elektra some identity in the UK market.
Elektra EUKS 262 (Stereo)
Released: 1969
Side 1
Side 2
Possibly the most boring Elektra sleeve design ever! This was another Elektra UK attempt to show how good the catalogue was: the sleeve notes are brim full with praise of the artists from the music and other press. However, I'm not sure that describing David Peel and co as being "like the Fugs only without their literary qualities" was a compliment or not.
Love had a cult following in the UK, hence the inclusion of both sides of the final 'original line-up' single on this compilation. Some copies include a poster.
Elektra K 32003 (Stereo)
Released: 1973
Production: Jonathan Clyde and Alan A Freeman
Recorded at the King's Head, Islington (a Public House for the non-Brits among you). The poems here are taken from Mr Kavanagh's Collected Poems published in 1964. The final track, called 'Epilogue' on the sleeve and 'Thank You, Thank You' on the label, was recorded in the studio for the record release.
Jonathan Clyde, who co-produced the record, was label manager for Elektra in the UK at the time. Alan A Freeman is not the famous English DJ of almost the same name.
Elektra K 42094 (Stereo)
Released: 1971
Production: Lewis Merenstein for Inherit Productions
Side 1
Side 2
Dorothy was the lead singer on the famous 'Oh Happy Day' recording by the Edwin Hawkins Singers. I have to admit that I have no idea why this disc was released on Elektra in the UK but on Buddha BDS 6067 in the USA. The American release is dated 1970.
Elektra K 42098 (Stereo)
Released: 1971
Side 1
Side 2
A UK compilation which does not include 'Amazing Grace'.
Elektra K 42129 (Stereo)
Released: 1973
Production: John Barham
John Barham is a jazz musician who worked with George Harrison (who in turn wrote sleeve notes for this album ... as did Ravi Shankar). This disc is an Indo-European fusion.
Elektra K 42136 (Stereo)
Production: Sandy Roberton and Plainsong
Test pressings exist of this finished, but unreleased, second Plainsong album but, AFAIK, no sleeve has surfaced. Iain told me that they did have artwork (based on Shepherd's Pooh artwork I think) for approval but it was never sent to Elektra in Los Angeles and would seem to be lost. Most of the tracks appeared on Ian and Andy's albums and 'Goodnight Lovin' Trail' appeared on the UK Elektra sampler 'The One That Got Away'. The plain white sleeve on my copy says 'Plainsong 3' as the title (no Plainsong 2 of course) but Iain and Andy confirmed that the title would have been Now we are Three.
Elektra K 42139 (Stereo)
Released: 1973
Production: Sandy Roberton
Although a Londoner, Andy Roberts was a sidekick of the Liverpool poets and was a member of the band The Liverpool Scene in the 1960s. He was later part of Plainsong, and when Iain Matthews went off to the US Andy went solo for a while.
Elektra K 42151 (Stereo)
Released: 1973
Production: Sandy Roberton
I am possibly biased as Andy was a mate at the time, but this is a cracking good album.
Elektra K 22002 (Stereo)
Released: 1971
A budget-priced UK sampler LP. The label boringly gives the titles as just this: Elektra Sampler. The sleeve title, showing the newly-introduced butterfly, is better. The disc was issued as part of a campaign to repromote Elektra in the UK at the time the buttterfly label was introduced. Plainsong had been signed and their first album was part of the push so, for once, Elektra had a British face to promote.
Elektra K 22005 (Stereo)
Released: 1973
Elektra ESP 9001 (Stereo)
Released: 1972
Double album released in UK and Japan. Japanese number is SJET-9513-4. The discs are not the same as those in the triple US promotional release of the same name, but the sleeve design is essentially the same.
Elektra EPK 801 (Mono)
Released: 1966
Production: Joe Boyd
Engineering: John Wood
Recorded: Sound Techniques, London
Side 1
Side 2
7-inch EP released in the UK only. Includes Martin Carthy on guitar (one of his first appearances on vinyl) and vocals by the Mike Sammes Singers.
Lord of the Dance is reputed to be the most-performed copyright hymn - Carter wrote the words to a traditional tune - and has nothing whatsoever to do with Irish dancing. George Fox was the founder of the Quaker movement.
Elektra EPK 802 (Mono)
Released: 1967
Production: Paul Rothchild
Side 1
Side 2
7-inch EP released in the UK only.
Elektra PRO 5 (Stereo)
Released: 1970
Side 1
Side 2
Double-sided single. A selection of new release extracts presented by Clive Selwood and Mike Hales (who were executives at Elektra UK and Polydor) to try to get British DJs (other than John Peel and yours truly) to play Elektra recordings.
Elektra SAM 8 (Stereo)
Released: October 1972
Side 1
Side 2
Three-track EP tied to a concert at the QEH on October 20th 1972. This could have been given out at the concert. Extensive notes by the always-erudite John Tobler.
Elektra No Number (Mono)
Released: 1973
Production: Andy Finney
This was a Radio Program presented by Andy Finney and Bob Harris and written by Andy Finney and John Tobler. A hundred or so copies of the Radio London 'Fresh Garbage' radio special on the history of the label were pressed by Elektra in the UK onto a double LP. A longer version was originally broadcast which was edited down for this LP.